"Peter Martin's response to Moby-Dick in black and white paper-cuttings is double edged, reflecting on the one hand companionship and comfort, on the other mystery and wonder. In his bold work, ambiguity and anxiety tinge what appear as clear cut expressions of exuberance and exhilaration."

-Elizabeth A. Schultz
Author of Unpainted to the Last: Moby-Dick and Twentieth-Century American Art